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"When Lambs and Aliens Meet: Girl-Faggots and Boy-Dykes Go to the Movies." In: Cross-Purposes: Lesbians, Feminists, and the Limits of Alliance / edited by Dana Heller. Two very differentlyconceived lesbian and gay festival organizations, sites at which decision making about collective identity is ongoing andself-conscious, are examined.pp: 95-106 Bloomington, IN: Indiana University Press, c1997."Lesbians and Film." In: Out in Culture: Gay, Lesbian, and Queer Essays on Popular Culture / editedby Corey K. The analysis traces how each responds to two related tasks: maintaining community legitimacy,which requires racial diversification, and surviving within an altered institutional environment. The shape ofcollective identity - how internal instabilities and diversities are accommodated, in this case - depends not only on the emergentcharacteristics of the collective, but also on the resolution of challenges particular to organizational fields.

This particularly becomes apparent in the Bollywood dance sequence--the frequent site of Hindi sex/gender play--whose coded queer desires are much easier to de-code (or re-code)when in the diaspora." [Article copies available for a fee from The Haworth Document Delivery Service: 1-800-342-9678.

New York: Feminist Press at The City University of New York, 1996."Diaspora sexualities : Asian American queer video in the world system." In: Ghostlife of third cinema : Asian American film and video / Glen M. Minneapolis : University of Minnesota Press, c2009. Benshoff -- The new queer spectator / Michele Aaron. Pictures at an Exhibition." In: Arthur Penn's Bonnie and Clyde / edited by Lester D. He argues that such films signify culturally and socially regardless of whether they are watched or not; how they do this has less to do with their individual content than with a broad range of forces beyond the reach of a discipline dedicated primarily to reading films.

London ; New York: Routledge, 1995."Drama Queens: Latino Gay and Lesbian Independent Film/Video." In: The Ethnic Eye: Latino Media Arts. Contreras -- New black queer cinema / Louise Wallenberg -- Nationality and new queer cinema: Australian film / Ros Jennings and Loykie Lomine -- New queer cinema and third cinema / Helen Hok-Sze Leung -- Reception of a queer mainstream film / Harry M. "The writer discusses film studies and gay pornography.

Minneapolis, Minn.: University of Minnesota Press, c1996. "The Organizational Shaping of Collective Identity: The Case of Lesbian and Gay Film Festivals in New York." In: A Queer World: The Center for Lesbian and Gay Studies Reader / edited by Martin Duberman. : Madonna and lesbian and gay culture /Sonya Andermahr --She thinks I still care: lesbians and country music /Rosa Ainley and Sarah Cooper --Netting the press: playing with Martina /Diane Hamer --Girls who kiss girls and who cares? "Imagined violence/queer violence: representations of rage and resistance." In: Reel knockouts: violent women in the movies / edited by Martha Mc Caughey and Neal King. Detroit, Mich.: Wayne State University Press, c2003. "Creating, curating, and consuming queer Asian American cinema: an interview with Marie K. Article discusses the dynamics of filmic representations of eroticism and sexuality in heterosexual relationships in recent mainstream films, with emphasis placed on the significance of supporting gay characters.

New York: New York University Press, [1997] "Queer pleasures for queer people: film, television, and queer sexuality in India." In: Queering India: same-sex love and eroticism in Indian culture and society / edited by Ruth Vanita. Contents: Crossover dreams: lesbianism and popular music since the 1970's /Arlene Stein --Queer love affair? "Unification horror: queer desire and uncanny visions." In: Light motives: German popular film in perspective / edited by Randall Halle and Margaret Mc Carthy. Asian American history and culture."Beyond Almodovar: 'Homosexuality' in Spanish Cinema of the 1990s." In: Territories of desire in queer culture: refiguring contemporary boundaries / edited by David Alderson and Linda Anderson. "Slashing the Fiction of Queer Theory: Slash Fiction, Queer Reading, and Transgressing the Boundaries of Screen Studies, Representations, and Audiences." The Journal of Communication Inquiry. Although the social conditions which create the need for resistant viewing are themselves oppressive, subversion of mainstream film holds out some possibility of empowerment for lesbian viewers. : Queer Cultures, Queer Auteurs, and Queer Authorship." (homosexual expression in the films of George Cukor and Dorothy Arzner) Quarterly Review of Film and Video v15, n1 (Nov, 1993):41 (14 pages).

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